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The Lone Bellow w/ Early James in Homer
November 12, 2021 @ 8:00 pm - 11:00 pm
“I want it to bring comfort,” The Lone Bellow guitarist Brian Elmquist says. “But it’s not all hard conversations. There’s a lot of light and some dancing that needs to happen.” Brian is reflecting on Half Moon Light, the band’s highly anticipated new album.
Half Moon Light is an artistic triumph worked toward for years, earned not by individual posturing, but by collective determination and natural growth. With earthy three-part harmonies and songwriting as provocative as it is honest, the trio made up of Brian, lead vocalist Zach Williams, and multi-instrumentalist Kanene Donehey Pipkin creates sparks that make a stranger’s life matter or bring our sense of childlike wonder roaring back. On Half Moon Light, The Lone Bellow mix light and dark to muster a complex ode to memory, a call for hope, and an exercise in empathy. Anchored in the acoustic storytelling that first so endeared the band to fans and critics, Half Moon Light also takes more chances, experimenting with textures and instrumental fillips to create a full-bodied music experience. The result is The Lone Bellow’s most sophisticated work to date.
“We try to invite as many people into the process to see what we can make together,” Brian says. “I like that spirit and that freedom. Then, the songs speak for themselves.”
Early James opens the show
A few years ago, Early James stumbled home, “drunk, or in some kind of state” and started doing dishes. When he woke up the next morning, the young man did not have a clean kitchen, but, he’d soon realize, he did have a song. Almost immediately, James began writing “Dishes in the Dark,” a sober self-reflection about trying, and failing, to clean your act up. “This dirt, this dust, this rust/It’s what I’m all about,” he sings over a sparse acoustic guitar. “I won’t wash up/I’ll just wash out.”
Singing For My Supper, the debut album from Early James, is full of those types of poignant, straight-from-real-life-to-the-page stories. Early James has lived a long life for a 26 year-old, a life he can’t help but end up turning into art. Songs keep spilling out of him: Songs about addiction, songs about familial reckoning, songs about mental health, songs about the ways adulthood can rob us of childhood wonder. For someone raised largely by the women in his family in Southeastern Alabama, Early James, whose mother worked 12-hour shifts as a traveling nurse during his upbringing, never expected that he’d get to become a professional artist, and he doesn’t plan on wasting a second.